For the lovers of GREEN! No green paint was used in this painting. It was all mixtures of yellows, golds, turquoise, primary cyan, Van Dyke brown, black and white.
This painting looks so good with wood tones and plants!
30"x40"x1.5" Mixed Media on Canvas/Available Click HERE for purchase info.
This painting is part of my new series "Luminous Dimensions"
If you can suggest an idea rather than fully explain it from a customary perspective, what you have is more poetic.
"A poem was a box for your soul. that was the point. It was the place where you could save bits of yourself, and shake out your darkest feelings. While I was writing, I would forget myself and everyone else: poetry made me feel part of something noble and beautiful and bigger than me. All the images and rhymes wrestled into place, then they would surprise me by surging through me, like songs I knew by heart."
Andrea Ashworth, Once in a House on Fire
Framed in a gold floater frame; ready to hang.
This painting is part of my series "Luminous Dimensions"
Through a window of time we glimpse the setting sun. A coolness descends as we take in the last bit light. It is a tender moment to be savored.
24"x24"x1.5" Acrylic on Cradled Panel
Violet colors shot through this piece leaving contrails of soft colors behind. Swift and powerful movement across the canvas excite and energize.
24"x18" Mixed Media on Paper /Available $875 Click HERE for purchase info. Visit https://cynthiaabergfineart.com to view more of my work. Follow me on facebook Follow me on Pinterest Follow me on Instagram
This painting is part of my new series "Luminous Dimensions"
Considering this image, which evolved over a couple days in the studio, I wrote: "Sometimes it seems there are multiple dimensions to every moment. As I focus on one aspect, I know there is so much more available... if I could just tune in."
I also believe that if a painting communicates something to someone, the feelings, the stories and the messages received, will be as diverse as is my audience.
Framed in a gold floater frame.
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When you look through a telescope you may see an area of the universe that reflects color, texture, and movement. Alcohol inks, acrylic paint, and gold leaf are layered to create this image of what is beyond. The tile can easily be displayed in a small easel or the artist will mat on a neutral background and frame it in a dark frame. 4"x4"x.25" Mixed Media on Tile/Available Click HERE to purchase. Follow me on Facebook Follow me on Pinterest Follow me on Instagram
Judith Babcock Fine Art Gallery Boarding House studio Galleries 220 East 7th Ave, Studio #2 Denver, Co 80203 By Appointment: lododuo@aol.com 303.669.6353
I love the colors in this geologic abstract. Can colors be muted and vibrant at the same time? I think these are. Sides are painted black. Framing is optional.
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In 1976, I took the only painting class Texas A and M. offered. It was in the home economics department, and fortunately, it was taught by a very interesting instructor with strong credentials.
One of our projects involved abstracting subject matter, much like Picasso and Braque in their Cubistic era. I designed several large paintings with vertical implied lines that shifted value and color and created an uplifting element connecting the top and bottom. Like a shaft of sunlight fragmenting the horizon or the solidity of a skyscraper, I’m still fascinated by imposing these disruptions.
24"x24x.75" Acrylic on Cradled Panel/Available Click HERE for purchase info.
I was going for a loose abstract look when I started painting this one. But as I kept working on it, it became increasingly a geologic abstract. I can't help it. I love painting rocks and rock textures.
I can imagine coming across a cavern like this while hiking in the mountains, near where I live. I think I would be too afraid of disturbing the residents if I were to peek in there.